Underlying any viable aesthetic movement
Underlying any viable aesthetic movement is a broader philosophy, a loosely unifying worldview that connects the artists working within it. In the aftermath of WWI, Mondrian and the modernists weren’t just painting blocks of primary color, they were retreating from a physical world that had ceased to make sense into a realm of pure abstraction. They were pursuing the development of a universal language through which to express fundamental truths. And when the “war to end all wars” was succeeded by another, the abstract expressionists retreated even further from the external world, turning inward to search the collective unconscious for some sense of existential certitude.
What have our contemporary artists been giving us? For the most part, they’ve given us objects and empty forms – golden calves and diamond skulls. It’s the economic substructure of art – the underlying network of critics, curators, collectors and tenured academics – that has been imbuing our art with its meaning … and value.
Like everything else in our crumbling financial reality, the art we have lauded as the best of our age has been exposed for what it is – a number on a page that doesn’t represent any real wealth, an object on a pedestal that doesn’t represent any real meaning.
We can’t explore the possibility of developing a new aesthetic until we answer the question of what, if anything, will be the unifying philosophy of our age. If, as Erik Plambeck has suggested, we are destined to be a culture that measures success through a tally of Facebook friends and blog hits, then we have no impetus to collectively tap an undercurrent of meaning and truth. We will be content to live in a world of appearances, virtual successes and hollow forms.
But then again, maybe that’s a bit too pessimistic. Celebrated writer and critic Dave Hickey sees things differently. He has stood as a sentinel in the art world for decades and offers a sage observation on its rise and fall: “Good artists will make love among the ruins” he vows. “Good art will always take us by surprise.”